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A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM

Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...

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WHO DESERVES RECOGNITION & REWARDS?

Are SRK and Virat with their luxurious 10-star lifestyle, more worthy than the real champions of change, dedicated to show the light to the neg...

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The Austere Ascetic

Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson.&...

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Cape Town Water Crisis: Day Zero Approaches

Back in 2014 Cape Town was described as one of the world’s top “green” cities, and the Democr...

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So Close To Life

Reading Elizabeth Strout makes you realise just how tough it is to be simple. Her prose is precise to the point of austerity, but she still manages to create richly evocati...

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True Review Television - Sumit Raghavan: India’s Consumate Actor

Sumit Raghavan is one of television’s most underrated actors. In early 2000, Dilip Joshi, Sumit Raghavan and Amit Mistry did a sitcom Shubh Mangal Savdhan for Sahara ...

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Retroscope - A legacy of taste

Young couples who elope to marry, remember Romeo Juliet (the poor kids died)​ Raj Kapoor’s Bobby or the young lovers from a recent Marathi blockbuster Sairat that h...

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SUSTAINABILITY V/S EYEBALLS

It’s incredibly shocking when in the midst of a serious discussion among family and friends about what one can do to make our world a better place to live in for all,...

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Mirrors: Capturing And Recording The Collective Consciousness Through Media

In the recent wake of the Yakub Memon case, opinions have been polarized creating a rift, a schism of thought and identity has manifested in the nation’s collective c...

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